The Well: Transformation

Unknown artist, ([?sic] Hugh Hambleton), Hermes Leading Persephone out of the Underworld, undated, Yale Center for British Art.
The Well. 48.

Deep in the chthonic chaos of the mud at the bottom of The Well, transformation

Wilhelm writes, “The well is the symbol of that social structure which, evolved by [people] in meetings its most primitive needs, is independent of all political forms.”

Myth also meets the primitive needs of people to understand our lives. The well nurtures with its clean water. Yet our deeper selves know that it is in dark underworld of the mud that our deepest transformations happen.

In the most ancient of myths, Inanna travels to this world and is dismembered and then revived. The Greek version is the myth of bright Persephone’s annual reluctant journey to her husband, Hades, dour lord of this dark realm whilst her mother, Demeter, mourns. The goddess of agriculture and fruitfulness plunges the world into winter while she waits for her daughter, Spring, to return.

This is ancient and deep wisdom indeed, transcendent of social structures fulfilling humans’ deepest yearnings to understand our place in the Universe and the world. Only in the deepest chthonics depths are we renewed: Each of us in that Long Dark Teatime of the Soul, as Douglas Adams titled a book.

In nature, the example is the caterpillar that willingly dissolves itself into an oozing mass that resembles neither of its two states of being — to emerge as a butterfly. Nothing is the same in the two beings, except essential DNA mapping the universal patterns.

I have been silent long, because an oozing mass does not speak. That does not mean nothing is happening. Wait.